This amp consistently surprises doubters and in many ways, it sets the benchmark for what mini guitar amp heads are all about. The Micro Terror delivers 20 watts of actual tube tone using a 12AX7 valve preamp - and it is substantially cheaper than a CR120H. Taking after its older brother the Tiny Terror, the Orange Micro Terror helped define the lunchbox style, which is known for bringing crushing tones to easy-to-move units. Other features: Effects loop with blend level, low power modeįind more Victory BD1 information and reviews here.I/O options: Two 8 ohm speaker outs and one 16 ohm speaker outs.
The finishing touch is that the effects loop has a mix knob on the back for setting the exact level of your pedals relative to the preamp level.
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You can run this in full power or 2-watt mode depending on context using any combination of the 16 ohm or dual 8-ohm outputs. Gain, Contour, and Master knobs dial in your sound with help from Bright and Deep switches. The BD1 is the smallest of their small offerings, with three 12AX7s and two EL84s working together to make 28 watts. The one that most fits the theme of this list is the BD1, which is the black version of Rob Chapman’s signature amp. I’ve loved their sound in all the various guitar gear videos I watch, and the price is reasonable for a handbuilt amp head of this quality.
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If I were shopping for a new amp right at the moment, offerings from the Victory Compact Series would be at the top of my list. Other features: Effects loop, power attenuator, mute for silent playing with no speaker plugged inįind more Hughes & Kettner TubeMeister Deluxe 20 information and reviews here.Speaker output resistance: 8 to 16 ohms.I/O options: Speaker outs and XLR DI out.There’s also an effects loop to round it all out. On that front, the DI out is emulated, with a couple of options on handy switches right next to it, including for Vintage and Modern voicing, Small and Large cabinet sizes, Line or Mic level, and an on/off switch. There power attenuation knob on the back too so you can bleed some of the output power before it hits the speaker cabinet.Ĭhoose between 20, five, and one watt, as well as a mute which allows for silent recording and doesn’t require a speaker to be plugged in to load the circuit. By using a MIDI foot controller like the FS-2 footswitch, you can easily swap channels or engage the boost as needed. Each channel gets its own Master and Gain knob, and there’s also a lead boost. It also offers a DI out, which is a nice touch regardless of where you’re playing.Ĭontrols include a three-band EQ shared between the clean and drive channels. In particular, this model is very good for home recording thanks to its small size and power attenuation options. Hughes & Kettner’s TubeMeister line has been landing in a lot of places of late.
The Mini-Rectifier may be pricey but it is certainly one of the best mini guitar amp heads out there for guitarists of all varieties.įind more Mesa Boogie Mini-Rectifier 25 information and reviews here. In addition, each channel is independently selectable between 10 and 25 watts, which gives you a multitude of on-the-fly headroom and drive options to be dialed in for your bedroom or stage needs. The drive channel has a Vintage and a Modern setting, the function of which should be fairly obvious to most. The clean channels allow you to choose between standard Clean and Pushed, which gives you that edge-of-breakup chunky tone. What sets this apart from a great many other options is that not only can you choose between the clean and drive channels, each of those channels can be configured separately using one of four different voices. You get two channels with entirely independent controls that’s both EQ and volume. Distilling the tones of its larger brethren into a mini amp head, this Mini-Rectifier is still going to be plenty loud at 25 watts. The Mesa Boogie Mini-Rectifier 25 is a fully-featured monster amp in a small package.
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